Flash Review: Lizard’s Tale by Weng Wai Chan

By Maureen Tai, 28 October 2022

The titular Lizard in this middle grade, historical thriller and riveting page-turner is a poor, green-eyed boy of mixed parentage. Abandoned by his Chinese mother and subsequently by his beloved British uncle, Lizard survives on petty crime and odd jobs in 1940s Singapore. His life is turned upside down when a job – to steal a teak box from a hotel room in the swish Raffles Hotel – goes horribly and unexpectedly wrong. The next thing he knows, Lizard is on the run. But why? From whom? What are the secret contents of the teak box? Suddenly, everything Lizard knows is not what they seem to be. Even his best friend Lili, his neighbour and a lover of curry puffs. Could she be more than just the daughter of a Chinese tailor living in Chinatown? Lizard’s Tale (ages 8+) will have you at the edge of your seat as you follow Lizard on his perilous quest to unravel the mystery surrounding his contraband. What is just as exciting for an older, Asian reader like me, is to see authentic details of pre-war Singapore both big – like the Raffles Hotel – and small – like the Brylcreem used by a local thug to slick down his hair – in a traditionally published, middle grade novel. Unputdownable.

NOTE: Thank you for reading my reviews! I’ll never take this website down, but in the interests of streamlining, from 1 January 2025, I’ll be posting new reviews on my writer website, www.maureentai.com, where I post lots of other bookish extras. See you there!

Flash Review: Paper Son by Julie Leung, illustrated by Chris Sasaki

By Maureen, 17 October 2022

Paper Son (ages 5+) is an atmospheric, lyrical and gorgeously illustrated non-fiction picture book about the journey of a little Chinese boy to the USA, the Gold Mountain of many immigrant dreams in the early part of the 1900s. To fulfil the American immigration requirements at the time, the boy must assume an alternative, fictitious identity, becoming a zi jai or “paper son.” After an initial hiccup at the border, the boy is ultimately reunited with his father in their new homeland. Christened Tyrus by his teachers, the boy’s new life begins…but how does it end? The grim realities of immigrant life – both what is lost and what is gained – are lightly touched upon, but at the heart of the story is Tyrus’ unremitting love for, and belief in, his own form and style of art, and how this love carried him through to the end of his days. A poignant and heartwarming introduction for younger readers to the topics of Chinese immigration and resilience.

NOTE: Thank you for reading my reviews! I’ll never take this website down, but in the interests of streamlining, from 1 January 2025, I’ll be posting new reviews on my writer website, www.maureentai.com, where I post lots of other bookish extras. See you there!

Inkling by Kenneth Oppel & illustrated by Sydney Smith

By Ben, 10 October 2022

Ben and I recently read Inkling (ages 8+), an imaginative and emotionally satisfying middle-grade novel by the author of the dark, gripping and suspenseful The Nest. We had a chat about it after breakfast.

M: So, can you tell me, in a nutshell, what Inkling is about?
B: It’s about a boy called Ethan and an ink splotch that comes to life called Inkling that draws things.
M: It’s like a fantasy story?
B: Kinda fantasy, kinda fiction? It’s suspenseful. Also well-written and funny in parts.
M: What sort of kid is Ethan? Is he like anyone you know?
B: [Thinking] No, he isn’t. He’s very protective of Inking though, so he’s a nice kid …
M: … and he’s also protective of his younger sister too, right?
B: Yeah, he’s really good at looking after his younger sister Sarah, he’s very kind to her and plays games with her and stuff. But then Sarah’s not annoying like my sister [knowing look] …
M: Ummm, let’s not bring your sister into this [rolling eyes]. Let’s get back to the story. So, this Inkling draws things …
B: Yeah, when Inkling goes onto pages in a book, all the words and pictures get sucked up into him, like he’s an eraser but more effective, and then he starts talking like the books he eats. So if he reads an old book, he’ll start speaking in old English like an old person.
M: Hmmm. Inking doesn’t have a mouth or eyes, does he? How does he talk?
B: He speaks by writing the words on paper or on any surface, but his one weakness is glass. He slips on glass so he can’t climb up the wall of a glass or a tank which is where he gets trapped by the bad girl …
M: No, no spoilers!
B: Oh, ok.
M: But there are bad people in this story?
B: Yeah, the main bad characters are Vika and her father. Vika is Ethan’s rival at school. She’s mean and sneaky but she’s also really good at drawing …
M: But Ethan’s not that good?
B: At the start of the story he isn’t, but then he gets good at it by the end.
M: If you had Inkling, what would you get him to do for you?
B: [No hesitation] If I had Inkling, I’d get him to do my homework and school for me.
M: Well, it’s a good thing you don’t have him then!

NOTE: Thank you for reading my reviews! I’ll never take this website down, but in the interests of streamlining, from 1 January 2025, I’ll be posting new reviews on my writer website, www.maureentai.com, where I post lots of other bookish extras. See you there!

Flash Review: The Weight of our Sky by Hanna Alkaf

By Maureen Tai, 3 October 2022

The place is Kuala Lumpur. The year is 1969. A Paul Newman movie is playing at the Rex cinema and the Beatles are big. Melati is a 16-year-old Malay schoolgirl whose recently-widowed mother, Salmah, works as a nurse in a hospital. To Melati, Paul McCartney is the best Paul in the world. Her best friend Safiyah begs to differ. These are the normal, comforting parts of the opening scenes in older teen/young adult novel, The Weight of our Sky (ages 12 and up). What is less usual is how Melati constantly taps her fingers and desperately counts in threes. What is more disquieting are the visions that persistently fill Melati’s head: graphic, gory, uninvited images of Salmah being killed in any number of violent ways. What is grippingly page-turning is the story of Melati’s separation from, and search for, her mother during the Chinese-Malay riots that plunged the newly-independent Malaysia into bloodshed and chaos on 13 May 1969.

The significance of Alkaf’s debut novel is not just the emergence of an exciting, compelling voice in traditional children’s publishing but the prominent feature – I think, for the first time – of Malaysian history, culture and language in a children’s book published by a large, Western publisher. Malay and Chinese words are not italicised. There is no glossary. Just as any book from the US or UK appears to readers in Asia without an explanation of what a snickerdoodle is or how snow angels are made, this unabashedly Malaysian story stands on its own. Without apology and without footnotes, the strong, convincing storytelling an authentic, important and welcome contribution to diversity in contemporary children’s literature. We look forward to hearing more from Alkaf in the years to come.

NOTE: Thank you for reading my reviews! I’ll never take this website down, but in the interests of streamlining, from 1 January 2025, I’ll be posting new reviews on my writer website, www.maureentai.com, where I post lots of other bookish extras. See you there!