Flash Review: Moo by Sharon Creech

By Maureen Tai, 20 February 2022

Moo (ages 8+) is a whimsical, heartfelt middle-grade, mixed prose/verse novel about twelve-year old Reena, her little brother Luke, the eccentric, irascible Mrs Falala, and Mrs Falala’s coterie of pets: Paulie the pig, China the cat, Edna the snake, Crockett the parrot, and last but not least, Zora, the ornery, ill-tempered Belted Galloway heifer (phew, that was a long sentence!).

On a whim, Reena’s family relocates from a bright, bustling city to a small, rural town in Maine, near the ocean and mountains. Equally on a whim, Reena and her brother are volunteered by their parents to help Mrs Falala with her chores, three days a week. Initially reluctant, the children soon discover that there is more to Mrs Falala than meets the eye, and that there is a simple cure to Zora’s obstinance, a cure that Reena is determined to administer …

This charming and light-hearted contemporary novel with its text playfully spaced and sometimes, in different fonts, will appeal to young, emerging readers and animal lovers. Parents be forewarned though: this book might very well turn your child into a vegetarian!

Colorful by Eto Mori & translated by Jocelyne Allen

By Maureen Tai, 16 February 2022

Sometimes you encounter a story of such ingenuity, warmth and wit that you decide, on the spot, to expand the categories on your book review blog to include “Young Adult” books so that you can rave about it. Colorful by Eto Mori (ages 14 +), translated from the Japanese by Jocelyne Allen and originally published in 1998, is, figuratively speaking, the straw that broke the camel’s back for me, and the first young adult book to be reviewed on our blog.

The novel opens with the narrator – a nameless, shapeless soul with no memory of his prior life – discovering that he has just won the lottery.

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Flash Review: Bungee Cord Hair by Ching Yeung Russell

By Maureen Tai, 13 February 2022

Disarmingly titled Bungee Cord Hair (ages 8+) is the middle-grade, verse novel sequel to Tofu Quilt, one of a rare handful of children’s novels set in Hong Kong. Our protagonist, Yeung Ying, is still an aspiring writer, but she is now a tween. She has left her beloved grandmother and extended family behind in Mainland China and rejoined her parents and siblings in 1960s Hong Kong. She was brought over under false pretences, and it is not an easy coming-of-age. Yeung Ying must learn how to live with her immediate family again after being apart for so many years. Being a girl, she has to fight for her education, a right traditionally reserved for boys and for those who can afford school fees. Above all, Yeung Ying discovers that she must shed her Mainland Chinese, “Communist” style of looking and speaking, and look and speak like a Hong Konger in order to escape ridicule and bullying, and to be accepted in her new home. Racism is, sadly, just as prevalent in Asian countries as it is in Western societies. Bungee Cord Hair is the first middle-grade novel I’ve read that candidly depicts how Chinese from the Mainland were historically looked down upon and derided by their (superior) Chinese counterparts in Hong Kong.

The author deftly and thoughtfully weaves into the narrative, elements of Chinese traditions, culture and folklore, creating a charming and compelling read. Yeung Ying’s lyrical account of triumph over adversity is as much an inspirational story for children, in particular girls of Chinese descent, to be resilient even in the most dire of circumstances, as it is an important and authentic first-hand account of life in colonial Hong Kong.

The Wonderful Adventures of Nils by Selma Lagerlöf, adapted by Kochka & Olivier Latyk

By Maureen Tai, 10 February 2022

During a recent trip to my hometown in Malaysia, I visited the shamelessly Instagrammable BookXcess @ Kong Heng and my browsing was rewarded with a gorgeous picture book, The Wonderful Adventures of Nils (ages 6+). I confess to not knowing at the time that the fable-like story was over a century old, and that its author, Selma Lagerlöf (1858 – 1940), is legendary in her native Sweden, being the first woman to ever win the Nobel Prize in Literature (as she did in 1909). I had been attracted primarily to the book’s exquisite paper-cut pages and how cleverly they overlaid the whimsical illustrations on the cover and inside of the book. A blatant case of judging a book by its cover.

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